Harry Potter and the Goblet of Fire (Harry Potter #4)
Author: J K Rowling
You have in your hands the pivotal fourth novel in the seven part tale of Harry Potter's training as a wizard and his coming of age. Harry wants to get away from the pernicious Dursleys and go to the International Quidditch Cup with Hermione, Ron, and the Weasleys. He wants to dream about Cho Chang, his crush (and maybe do more than dream). He wants to find out about the mysterious event that's supposed to take place at the Hogwarts this year, an event involving two other rival schools of magic, and a competition that hasn't happened in a hundred years. He wants to be a normal, fourteen year old wizard. Unfortunately for Harry Potter, he's not normal - even by wizarding standards.
And in his case, different can be deadly.
New York Times Book Review - Stephen King
The Harry Potter series is a supernatural version of ''Tom Brown's Schooldays,'' updated and given a hip this-is-how-kids-really-are shine. And Harry is the kid most children feel themselves to be, adrift in a world of unimaginative and often unpleasant adults -- Muggles, Rowling calls them -- who neither understand them nor care to. Harry is, in fact, a male Cinderella, waiting for someone to invite him to the ball. In Potter 1, his invitation comes first by owl (in the magic world of J. K. Rowling, owls deliver the mail) and then by Sorting Hat; in the current volume it comes from the Goblet of Fire, smoldering and shedding glamorous sparks. How nice to be invited to the ball! Even for a relatively old codger like me, it's still nice to be invited to the ball.
Salon - Charles Taylor
Children (and many of us who aren't) have been so anxious for the fourth installment of J.K. Rowling's Harry Potter series because they are caught up in a breathless adventure, because they have learned to ask the most vital and essential question any reader can: What happens next? "But," the still-puzzled persist, "aren't there other children's books that are just as good?" Perhaps. But for kids, "Harry Potter" is of their time, something that will always be theirs instead of a legacy left to them by a previous generation....Like all great fantasy sagas, the Harry Potter books have grown narratively, morally and psychologically more complex as the series progresses. There is a special pressure on a writer who midway through a series finds herself entrusted with the imagination of a huge number of readers. That Rowling has done nothing to break that faith seems a deed as brave and noble as any her hero has accomplished.
Guardian - Robert McCrum
[T]his is storytelling of a high order indeed. It draws the reader in with a riddle and a letter. It proceeds through a series of trials to a great confrontation. And it concludes with a death and a climactic resolution. E.M. Forster famously observed that, 'Yes - oh dear, yes - the novel tells a story'. HP IV is the apotheosis of 'story.'
Associated Press
As usual, Rowling has written a fast-paced story full of surprises. Just when the traitor at Hogwarts seems obvious, it turns out to be someone else. When death strikes, it's a shock. Readers might think they know who's on what side and what they're after, but don't be too sure. Rowling is really good at turning smoking guns into red herrings....So, how long until book five?
Chicago Tribune
Rowling has a way of making the wildest, most whimsically unlikely conventions and scenarios seem utterly plausible, of creating a world so convincing that you don't even stop to question the existence of flying broomsticks and invisibility cloaks.
Washington Post - Jabari Asim
J.K. Rowling has not lost her touch. The fourth in her series starring the courageous young wizard is just as absorbing as its celebrated predecessors.
Times (London) - Sarah Johnson
Once again, Rowling packs the pages with witty and imaginative ideas....Fourth year report? Another fine year, Ms Rowling. Three more to go and it looks as though your OWLS (Ordinary Wizarding Levels) results will be terrific.
New York Times - Janet Maslin
As the midpoint in a projected seven-book series, Goblet of Fire is exactly the big, clever, vibrant, tremendously assured installment that gives shape and direction to the whole undertaking and still somehow preserves the material's enchanting innocence. This time Ms. Rowling offers her clearest proof yet of what should have been wonderfully obvious: what makes the Potter books so popular is the radically simple fact that they're so good.
Publishers Weekly
Even without the unprecedented media attention and popularity her magical series has attracted, it would seem too much to hope that Rowling could sustain the brilliance and wit of her first three novels. Astonishingly, Rowling seems to have the spell-casting powers she assigns her characters: this fourth volume might be her most thrilling yet.
The novel opens as a confused Muggle overhears Lord Voldemort and his henchman, Wormtail (the escapee from book three, Azkaban) discussing a murder and plotting more deaths (and invoking Harry Potter's name); clues suggest that Voldemort and Wormtail's location will prove highly significant.
From here it takes a while (perhaps slightly too long a while) for Harry and his friends to get back to the Hogwarts school, where Rowling is on surest footing. Headmaster Dumbledore appalls everyone by declaring that Quidditch competition has been canceled for the year, then he makes the exciting announcement that the Triwizard Tournament is to be held after a cessation of many hundred years (it was discontinued, he explains, because the death toll mounted so high). One representative from each of the three largest wizardry schools of Europe (sinister Durmstrang, luxurious Beauxbatons and Hogwarts) are to be chosen by the Goblet of Fire; because of the mortal dangers, Dumbledore casts a spell that allows only students who are at least 17 to drop their names into the Goblet. Thus no one foresees that the Goblet will announce a fourth candidate: Harry. Who has put his name into the Goblet, and how is his participation in the tournament linked, as it surely must be, to Voldemort's newest plot?
The details are as ingenious and original as ever, and somehow (for catching readers off-guard must certainly get more difficult with each successive volume) Rowling plants the red herrings, the artful clues and tricky surprises that disarm the most attentive audience. A climax even more spectacular than that of Azkaban will leave readers breathless; the muscle-building heft of this volume notwithstanding, the clamor for book five will begin as soon as readers finish installment four.
Daily Record
Potter enthusiasts will not be disappointed. Here are all the old friends, the funny creatures, the magic, the thrills and the laughs that are the ingredients of Rowling's fabulous success.
Seattle Post-Intelligencer - Rebekah Denn
...keeps up the awesome inventiveness, deadpan humor and gripping pace of previous installments....As usual, Rowling flawlessly knits her plotlines together, with seemingly casual early details taking on meaningful force by the end.
Publishers Weekly
Ages 9-12 Even without the unprecedented media attention and popularity her magical series has attracted, it would seem too much to hope that Rowling could sustain the brilliance and wit of her first three novels. Astonishingly, Rowling seems to have the spell-casting powers she assigns her characters: this fourth volume might be her most thrilling yet. The novel opens as a confused Muggle overhears Lord Voldemort and his henchman, Wormtail (the escapee from book three, Azkaban) discussing a murder and plotting more deaths (and invoking Harry Potter's name); clues suggest that Voldemort and Wormtail's location will prove highly significant. From here it takes a while (perhaps slightly too long a while) for Harry and his friends to get back to the Hogwarts school, where Rowling is on surest footing. Headmaster Dumbledore appalls everyone by declaring that Quidditch competition has been canceled for the year, then he makes the exciting announcement that the Triwizard Tournament is to be held after a cessation of many hundred years (it was discontinued, he explains, because the death toll mounted so high). One representative from each of the three largest wizardry schools of Europe (sinister Durmstrang, luxurious Beauxbatons and Hogwarts) are to be chosen by the Goblet of Fire; because of the mortal dangers, Dumbledore casts a spell that allows only students who are at least 17 to drop their names into the Goblet. Thus no one foresees that the Goblet will announce a fourth candidate: Harry. Who has put his name into the Goblet, and how is his participation in the tournament linked, as it surely must be, to Voldemort's newest plot? The details are as ingenious and original as ever, and somehow (for catching readers off-guard must certainly get more difficult with each successive volume) Rowling plants the red herrings, the artful clues and tricky surprises that disarm the most attentive audience. A climax even more spectacular than that of Azkaban will leave readers breathless; the muscle-building heft of this volume notwithstanding, the clamor for book five will begin as soon as readers finish installment four. |
Children's Literature
Harry and his friends Ron and Hermione return for their fourth year at Hogwarts School of Witchcraft and Wizardry. This year promises to be special, for the school plans to resurrect the tradition of the Triwizards Tournament, pitting the best Hogwarts student against foes from two other schools, Beauxbatons and Durmstrang. It is no surprise to Harry Potter fans that Harry gets tangled up in the competition. This year at school is different also because the new Defense against the Dark Arts teacher, Mad-Eye Moody, actually seems to know his subject. Will he last, or will he meet an ignominious end as have all his predecessors? As with the first three books in the series, there is much skulking through the halls at night, bending rules somewhat and general schoolboy mischief. There is also chivalry, team spirit, hero worship and puppy love. What is new to this entry in the series is its sheer weight--Rowling's mastery of storytelling is evident since her fans think nothing of lugging this 734-page tome about on family vacations. The story also turns much more macabre as Harry's archenemy, Lord Voldemort, regains some of his former power. The imagery is vivid and somewhat disturbing and could easily lead to a few nights' restless sleep. Another riveting read by Rowling. Reviewer: Dr. Judy Rowen
VOYA
There must be a committee that lives in Rowling's head. Could just one brain possibly come up with all this creativity and imagination? I wanted to see into her "Pensieve," to steal into her swirling thoughts, just as Potter stumbles into Dumbledore's in Goblet of Fire. This fourth installment continues fourteen-year-old Harry's journey to full wizardhood, opening immediately with the mysterious and foreboding appearance of Lord Voldemort, who again establishes the presence of the dark side. Harry spent another summer with the least imaginative and most disappointing of all Muggles, the Dursleys. His stay on Privet Drive ends sooner than expected when Mr. Weasley secures box seat tickets for the Quidditch World Cup and invites Harry to go. Uncle Vernon reluctantly agrees to the outing after Harry casually and slyly mentions his "godfather" Sirius Black. And the fun begins. Using a different structure for this adventure, Rowling allows events to lead to four climaxes instead of one. She sets up the story with a demonstration of her creative mastery in the Quidditch World Cup segment: the Weasley's arrival via Floo Powder in the Dursley's bricked-up fireplace, their unconventional trip in Muggle disguise to the World Cup campsite (I want one of those tents!), the magical and exciting Quidditch match, and the mysterious events that follow. Three more high points occur with each challenge in the Triwizard Tournament, held at Hogwarts during the school term. Single champions from Beauxbaton, Durmstrang, and Hogwarts schools are to compete, but Harry's name is sneaked in to the competition. Because one cannot contradict the Goblet of Fire (or disappoint readers), Harry stays. Between the heart-thumping events, some critics complain of slow reading. We are, after all, an audience of highly educated Muggles and harder to please. We have read the previous books—at least once, perhaps twice—and know all the passwords and the counterspells. But for me, reading a Potter book has become a sort of reunion. I use the down time between tense moments to visit with all the characters I've missed since the last gathering. There are some new faces, familiar faces, furry faces, translucent faces, suspicious faces, wise faces, and heroic faces. Some are just plain weird! Mad-Eye Moody, the new Defense of the Dark Arts teacher, has a long mane of grizzled hair, and a heavily scarred face with one normal eye and one magical eye that swivels in its socket and seems to see at all times—even through the back of his head. Mad-Eye introduces students to the "Unforgiveable Curses" that would earn a wizard a life sentence in Azkaban if used. Fun characters, new spells, incredible events, and delightful gimmicks add to the puzzle that Rowling challenges us to complete. The multilayered framework is unquestionably well constructed. Answers to unresolved questions from earlier installments are revealed—we finally learn why Harry must summer with the Dursleys—and enough hints about what comes next will leave readers anxiously awaiting the fifth book. After finishing this adventure, I needed to share my excitement and was lucky enough to find a fourth grader on his eighth reading just two weeks after the book's release. Two days later I bumped into my retired teaching mentor whose book group finished it. Our animated dialogue drew crowds. Rowling again has created magic—between the covers of this book and between readers of all ages who need to talk about Harry.Reviewer: C. J. Bott October 2000
KLIATT
This fourth volume of Harry's adventures at Hogwarts School of Witchcraft and Wizardry is up to the high standards of its predecessors, full of fantasy, suspense, humor and horror. All the familiar characters are back—Harry's faithful friends Ron and Hermione (she takes on the cause of enslaved house-elves here), professors both kind and nasty, and Moaning Myrtle the ghost, among others—and there are some new characters, too, like the half-giantess Madame Maxime, a little house-elf named Winky, and "Mad-Eye" Moody, the new Defense Against the Dark Arts teacher. And defense is needed; because Harry's great enemy Lord Voldemort has risen again, with a new plot to kill Harry. There is a Quidditch World Cup, to supply some sports action, and even more important for Harry, a dangerous Triwizard Tournament in which he is a competitor. At 14, Harry and his friends are starting to mature, and boy-girl relationships are beginning to play a role in their lives, making this book of even greater interest to the YA audience. For all libraries. Reviewer: Paula Rohrlick; September 2000
School Library Journal
Gr 4 Up-Harry Potter is back in J.K. Rowling's fourth installment of his adventures (Scholastic, 2000). He is 14 years old and in his fourth year at the Hogwarts School of Witchcraft and Wizardry, where the traditional Inter-House Quidditch Cup has been temporarily suspended so that the Triwizard Tournament can be held. Only three students, one from each of the biggest schools of wizardry, may compete, but the Goblet of Fire that chooses the champions from each school mysteriously produces a fourth name--Harry Potter. As the school readies for the tournament, it becomes obvious to Harry's allies that Voldemort is plotting something dastardly--but only at the very end does he show his hand, springing a trap that Harry only narrowly escapes. Jim Dale, who has narrated the previous Harry Potter audiobooks, succeeds marvelously at the Herculean effort of voicing about 125 characters. By now, Harry, Ron, Hermione, and Hagrid are so well known to him that his renditions of their voices are practiced and flawless. He also invests new characters such as Mad-Eye Moody and Winky with voices that enhance their already vivid personalities. Dale intones magical commands with such great authority that one would almost think he was a wizard himself. Twenty hours is a long time to listen to a book, but the combination of Rowling's enthralling adventure and Dale's limber narration will easily see kids through to the very last sentence.-Eva Mitnick, Los Angeles Public Library, CA |
Robert Allen Papinchak
The legend continues. Rowling's audacious series about the world's most beloved boy wizard moves into classic mode when fourteen-year-old Harry encounters his most daring challenges so far, confronting You-Know-Who and overcoming a daunting series of tasks in the process. Rowling's wisely inventive twist on the previous books is to eschew the ponderous exposition that halted the openings of books Two and Three, The Chamber of Secrets and The Prisoner of Azkaban. Instead, she provides a powerhouse opening chapter that lays the groundwork for the spellbinding twists and turns that follow. Harry knows disaster surrounds him even as he sets off with his favorite family, the Weasleys, for the four hundred twenty-second Quidditch World Cup Final Match against Ireland and Bulgaria, a speedy but heart-stopping event. Later, at Hogwarts, the students discover that the annual interschool quidditch matches are displaced by an even greater competition, the Triwizard Tournament. When Harry's name is drawn from the goblet of fire--despite the fact that he is underage--he endures Herculean tasks that test magical prowess, daring, powers of deduction and the ability to cope with danger. All of this moves inexorably toward a definitive, horrifying face-off with Lord Voldemort. Rowling balances the darkness of the novel with some delightfully raucous highlights. Every reader will have his favorite book in the series. Some might find Rowling overloading the goodies in this one, but, in this case, more is better. What a shame to have to wait another year to find out what happens next.
Entertainment Weekly - Kristen Baldwin
...anything but boring.
Kirkus Reviews
As the bells and whistles of the greatest prepublication hoopla in children's book history fade, what's left in the clearing smoke is—unsurprisingly, considering Rowling's track record—another grand tale of magic and mystery, of wheels within wheels oiled in equal measure by terror and comedy, featuring an engaging young hero-in-training who's not above the occasional snit, and clicking along so smoothly that it seems shorter than it is. Good thing, too, with this page count. That's not to say that the pace doesn't lag occasionally—particularly near the end when not one but two bad guys halt the action for extended accounts of their misdeeds and motives—or that the story lacks troubling aspects. As Harry wends his way through a fourth year of pranks, schemes, intrigue, danger and triumph at Hogwarts, the racial and class prejudice of many wizards moves to the forefront, with hooded wizards gathering to terrorize an isolated Muggle family in one scene while authorities do little more than wring their hands. There's also the later introduction of Hogwarts' house elves as a clan of happy slaves speaking nonstandard English. These issues may be resolved in sequels, but in the meantime, they are likely to leave many readers, particularly American ones, uncomfortable. Still, opening with a thrilling quidditch match, and closing with another wizardly competition that is also exciting, for very different reasons, this sits at the center of Rowling's projected seven volume saga and makes a sturdy, heartstopping (doorstopping) fulcrum for it. (Fiction. All ages)
What People Are Saying
Harry Potter and the Goblet of Fireis the pivotal central book in the series; it is by far the longest (at 734 pages, it's roughly double the size of any of the first three), by far the most ambitious--and fortunately, by far the best as well. It is also clearly the darkest, especially in the dazzling climax and it consequences. Ultimately, through, the book's strongest asset is satisfying that irresistible curiosity of discovering what is behind the next corner. For almost all of Harry Potter and the Goblet of Fire the readers are totally spellbound--entirely at the mercy of an expert storyteller.
—The Tech - Massachusetts Institute of Technology
Interesting book: On Tap or The Herb and Spice Companion
The Little Prince
Author: Antoine de Saint Exupery
After being stranded in a desert after a crash, a pilot comes in contact with a captivating little prince who recounts his journey from planet to planet and his search for what is most important in life. For over sixty-five years Antoine de Saint-Exupery's classic, The Little Prince, has captured readers' hearts. The whimsical story with a fairy tale feel has sold over 3 million copies in all formats. This exciting pop-up edition includes the complete original text accompanied by Saint-Exupery's beautiful illustrations brought to life through paper engineering. Perfect for longtime fans and those meeting the little prince for the first time!
Publishers Weekly
This unabridged edition of the classic story about the prince from a tiny planet “hardly bigger than a house” integrates the original illustrations into pop-ups, wheels, and flaps. The text is gracefully balanced against the interactive elements as the Prince shares his story: flaps reveal images like the drawing of a sheep that the narrator makes for him, and delicate pop-ups feature characters he's met, like the clownlike lamp lighter. The pleasing visual effects are subtle, but add an appropriate sense of magic. Ages 9–12. (Oct.)
Publishers Weekly
Many old friends revisit readers in handsome new volumes. Always welcome is that charming visitor from another planet, Antoine de Saint-Exupery's The Little Prince. A 60th-anniversary gift edition features a cloth slipcase, a satin ribbon bookmark and a bookplate. The fable remains as lyrically haunting as ever in Richard Howard's new (2000) translation.
Publishers Weekly
Young Osment (The Sixth Sense; Pay It Forward) again proves his mettle as an actor, giving voice to the Little Prince in this crisp, full-cast production of the literary classic. He approaches the role with a gentleness and sensitivity that touches the heart and never sounds maudlin. As the pilot whose plane has crashed in the Sahara, Gere plays it low-key, creating a perfect partner for Osment's interplanetary-traveling, wise-beyond-his-years prince. Gere expresses just the right mix of amusement and bewilderment as the prince interrupts the pilot's efforts to repair his plane with a request that he draw a sheep. The adept performances capture the timeless nature of Saint-Exup ry's fable about how a child sees the important things in life much more clearly than many adults do. All ages. (Dec.) FYI: Last year marked the 100th anniversary of Saint-Exup ry's birth.
Candice Ransom - Children's Literature
Those of us concerned with quality preschool literature long for the demise of inappropriate books repackaged into board books. With the publication of four slip-cased board books based on the classic allegory The Little Prince (Friends of the Little Prince, Counting With the Little Prince, A Day With the Little Prince, and I Am the Little Prince/Je Suis Le Petit Prince), one hopes the end is near. On the surface, I Am the Little Prince seems to employ good board book design elements: brief text printed on nursery-pastel backgrounds, watercolor illustrations on contrasting white backgrounds. So far so good. Closer examination reveals that some of the art retains it original clarity while others parts are poorly reproduced. Besides murky illustrations, the bilingual text and art don't always work together. On one page the text reads: "I live on a small planet./J'habite sur petite planete." The accompanying illustration shows the Little Prince standing on his lumpy planet, sweeping out the fenced-in volcano. The text makes no mention of the Little Prince's actions. Children sharing this book would wonder, "What is he doing?" For this age group, illustrations should amplify the story, not go off in another direction. This is what happens when books for older children are reformatted into board books with no regard to the needs and interests of toddlers. 2003, Harcourt Red Wagon, Ages 1 to 3.
School Library Journal
Gr 1-4-Actors Richard Gere and Haley Joel Osment read Antoine de Saint-Exupery's book with the assistance of several other actors and actresses. A pilot stranded in the desert awakens one morning to see, standing before him, a most extraordinary little fellow, who teaches him the secret of what is really important in life. Gere reads the part of the Pilot, and Osment takes the part of the Little Prince. The reading by all the participants is accomplished with great skill and feeling. Piano and strings provide very lovely background music composed by Alexandre Stankevicius. This abridged recording of the classic book should be welcome in most library collections.-Beverly Bixler, San Antonio Public Library, TX
Children's Book Watch
Richard Gere is the principle narrator in this superbly produced CD format version of Antoine de SaintEXupery's classic children's story The Little Prince. This fifty minute production is a technically flawless audio version of a pilot stranded in the desert and wakening one morning to see before him a little fellow who captures the hearts and imaginations of all who read (and now hear) this remarkable modern fable. Haley Joel Osment gives voice to the Little Prince, while Marina Orsini, Adam Frost, Richard Allen, Dave Walsh, Ara Y. Kentenjian, Patrick Selitz, and Mickey Kessler lend their talents to this multicast production, with music by AleXxandre Stankevicius. The Little Prince is highly entertaining, enthusiastically recommended, and a "must" for school and community library audiobook CD collections.
Kirkus Reviews
"[E]yes are blind. You have to look with the heart," says the little prince, which makes this pop-up edition of the 1943 classic a bit of an odd duck. De Saint-Exupery's minimalist illustrations become full-color paper-engineered elements in a blown-up, two-inch-thick unabridged edition. Flaps lift, figures pop, tableaux emerge in ingenious fashion, creating a reading experience as surreal as the story. But the tension between text and image inherent in any illustrated book is exacerbated to the nth degree here, as the beguiling doodads beckon readers to race through the pages, leaving the story they're meant to illustrate behind. The contemplative fable is turned into a mere excuse for paper whimsy, the fun of making the prince turn to meet the fox overriding the wonder of the interaction. Too cool for its own good. (Pop-up/fiction. 10 & up)
